![]() It feels like a pretty legitimate song to me. I got so much stuff that’s like so way beyond actor’s singing shit, like this track “Red Light”, you just listen to it and it is what it is. There’s a strange like, “What the fuck is this thing?” And I didn’t want to be part of that so I stopped putting stuff out. I always do joke stuff with it but it’s always there and I always do it seriously and I stopped putting stuff out because I didn’t want to look like those actors that be putting out records. If you go back to Saturday Night Live, my stuff always has music, even a bunch of my comedy stuff – like in Shrek, the donkey is always singing. That’s a classic! But you know, if you look all my stuff. I think the only time we’ve heard you sing reggae in public before was the SNL “Kill the White People” thing. You, know what happened is, I wrote some words and I was like, “How do you see these words and not have it be pretentious and weird and preachy?” The reggae track best suited that story the way that story is told in that song. Were you thinking Marley, specifically, for the vibe of this song? ![]() Bob Marley and the Beatles, that’s my big, giant music influence. You actually played me some Marley on guitar the last time we spoke. I was like, “I gotta keep grown if I’m trying something.” How can I become grown and still have it be danceable and not look like I’m trying to sound like everybody else.
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